Inside an 18th-century grand English country house
Released on 02/03/2023
[birds tweeting] [wind blowing]
[lively music]
We have been together in business
for a very long time and part
of our interest was doing up old houses that were unloved
and restoring them and we've grown from there.
We lead on the piano nobile of a palace in Venice,
which was great fun, but it was a passion.
We bought Wolterton about six and a half years ago.
We bought it from the Walpole family
who had owned it for 300 years.
When we arrived, the house hadn't been lived in,
so it had been shuttered up for nearly 30 years
and it was absolutely thrilling to open all the shutters,
let the light in and reorganize the furniture.
[Keith] The house had had a fire here in the '50s
and it had all been decorated after the fire.
And it was left in those '50s colors.
It was a very dreary interior,
full of potential but hideous.
And one day I saw Keith where there was this sort
of Barclays blue carpet all the way down the main staircase.
I saw him tossing the carpet down in through the well
onto the ground below.
And you know, suddenly you could sort
of feel that Palladianism coming back again.
[tranquil music]
In the boudoir, I like to sit here
in the afternoons because it's very enjoyable being here.
We have this beautiful sofa which we bought
from the Walpoles, which is one
of the most comfortable sofas we've ever sat in.
Well, when we arrived, the walls were covered
with a green hessian.
It had been up for years and I took the whole lot down
and was amazed to see the paneling behind it.
And of course, while the paneling was never meant
to be seen, that was in the 18th century,
our tastes have changed and we've decided to leave it
as it is rather than recovering it.
And it's got all the imperfections
of pinholes where the previous tapestries were hung.
While this is a Palladian house,
we've brought some things, our Tudor house,
and there's the John the Baptist, the carving
and there's the Madonna and Child.
[tranquil music]
So this is the saloon, which is the largest room
in the house and actually the grandest.
And this is where we have all our best parties.
The room was actually decorated
with these enormous Brussels tapestries,
which are 18th century.
The carpet in here was given to Princess Mary by a maharaja.
And of course, all the state rooms
have these incredible fireplaces which were carved
by Richard Fisher of York.
And even if we're having a dinner party,
we'll have champagne in here
'cause it has has a fantastic view
overlooking the lake over there.
And you can walk out onto the balcony.
[tranquil music]
These portraits of the Walpoles were all over the house
and we decided eventually to buy them.
But on the condition that we'll have them
if they can be put into one room.
We've hung them according to how attractive they are.
So the better looking Walpoles
are at the second level and least attractive
are on the lower level.
Like Harry Potter's headmaster study,
we've got all these portraits together in the same room
and we feel they'll talk at night when the lights are out.
[tranquil music]
Managed to find this extraordinarily beautiful
glazed wool fabric which came from Strawberry Hill.
This enormous portrait of the whole family
Horatio, Mary Magdalen Lombard
and his eight children was painted
in the early 18th century.
And it's rather curious
'cause they all look about the same age.
[tranquil music]
This house was inspired by Andrea Palladio,
the 16th century architect who worked in Venice.
What he did to revive the idea of using classical buildings
like temples and public buildings they'd used
in ancient Rome for domestic use.
So these aristocrats suddenly had
these incredibly grand buildings
with columns and plasters.
Everything had to be symmetrical.
You couldn't have a single door,
you had to have a pair of doors.
And there is a particular thing which you'll see,
which is the Palladian window.
And it allows this enormous amount of light to come
into this room 'cause it fills the entire west wall.
The walls in here we decided to cover
in this beautiful gold fabric, Renaissance fabric,
which comes from Watts,
which completely, it feels like sort of summer every day.
And we found these amazing day beds,
which are by James Wyatt.
And they came from Powderham Castle.
And covered them
in another Watts fabric, which is called Bellini.
There is this wonderful bass relief
of Our Lady holding the child,
a bit like a sort of Michelangelo tondo.
We had the panel behind painted in porphyry,
which is of course the most important imperial marble
from ancient Rome.
[tranquil music]
I always think it's really funny to have a state bedroom
when your friends come and stay.
This room was covered in vinyl wallpaper and we replaced it
by a design by Bodley, which Watts produce,
which is a hand-printed linen
because we wanted a nice background
for these Antwerp 17th century tapestries here.
The bed itself uses the fabric that was actually used
for the state bed and was hanging
in panels in what is now the portrait room.
And we found this amazing corona,
which was in pieces from a local antique shop
and we had it regilded and put together again in a dome
and Keith managed to find the crest of the Walpoles.
So we put that little shield on.
[tranquil music]
It did actually present quite a big challenge
to make a room this size into a bathroom.
You know, it's not conventional, is it to have a bath
of this size, but we had to have a really big bath in here.
What we managed to do was to get some alabaster panels,
which are used up the end of the bath.
We managed to buy six of them
and then we cast another 10 in plaster,
painted those to look like the alabaster
and I think it slightly fools your eye.
And we got these extraordinary Victorian taps,
which we then nickel plated.
And we had to have a double-ended bath
'cause it's gotta be very romantic
so that you can look out the window at the view
or look into your lover's eyes.
[tranquil music]
We wanted a contrast
so we kept the main piano nobile,
which are these eight state rooms
in kind of quite traditional style.
But then on the ground floor,
we've introduced more modern furniture.
This is quite a nice mid-century modern sort of bedroom.
It has an homage to David Collins,
the famous restaurant designer.
This is his carpet and this is one of his chairs.
And this is a chair, one of my favorite designs ever
by Peter Churner, an American designer.
And actually, the kitchen is a design we did
for Smallbone about 10 years ago, which we actually got
from our old house because it was free standing
and that's much more contemporary.
That actually won Kitchen of the Year Award
with Historic Houses two years ago.
You know, we don't actually ever have a kitchen table
in our kitchen
because we would never actually move away from it.
So we deliberately make it difficult.
But we do actually have chairs in front of the fire
and every part of the kitchen has its own function.
So there are two islands here,
one which has a six burner hob
and the other has a teppanyaki and a grill.
And then, of course, you've got the sink,
which has got its plate rack above.
And then you have various works stations around.
That's the whole fridge and freezer zone and wine cooler.
And this is the, unusually for a country house,
we don't have an AGA.
we actually have a big Gaggenau oven.
One of the principles that we really feel strongly about
in kitchens is that you shouldn't hide away beautiful things
like copper pans and saucepans, frying pans and glasses,
plates, all these things are are lovely.
And even fruit, eggs, things that you use every day
should be on show
because they're part of the environment of a kitchen.
[tranquil music]
In the main room, on the ground floor,
which is our everyday living room,
and we've got seating areas here for the fire.
And this was the Walpole's library,
which we bought from them.
We bought all the books.
The Watts wallpaper is a sort of big Baroque wallpaper
and it's sort of dark brown and printed in gold
and gives the impression of being like embossed leather,
which we thought went very well
with the books and the library shelving.
And the ceiling was nicotine brown
because Lady Walpole and Lord Walpole used
to sit here all day smoking.
I always ask people in the library here,
which they think is our favorite shelves
and they think we can't answer.
And I say, well, the first one is this shelf
because it has all the aperitifs in.
And this is our second favorite
because it has all the digestives.
[tranquil music]
Well, we're still on the ground floor.
And we refer to this as the picture room.
My collection of paintings started
with a Duncan Grant and a Vanessa Bell
when we lived in a house in Fitzroy Square
that had actually been the Omega Workshops,
which was started by Roger Fry,
and it was the basis of the collection.
And I've got all sorts here, works of art
by celebrated painters and junk shop finds.
They're all together.
A 20th century collection of paintings.
[tranquil music]
When we arrived here, the house was covered in a layer
of gelatinous lichen over the whole bricks, the stonework.
And we cleared it off with a high pressure water gun
and this amazing structure was underneath,
beautiful, beautiful red brick and Portland stone.
The outside sort of reflected its sadness
for not being being occupied for so long.
And so it's sort of a sign to the world
that Wolterton was back in business.
[tranquil music]
Starring: Keith Day, Peter Sheppard
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